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  2cm of Flesh

  VOGUE Korean 2012

  2017

  Fashion Magazines preoccupied me, their lack of diversity and limited palate of skin tones bothered me, as if half the world doesn’t exist. Like wondering, as I do, why there aren’t more children’s stories with same sex couples. Does the printed world more often than not define it’s readers as white and heterosexual? I took some time cutting out flesh and categorising it. Not until 2015 with Vogue UK did women of colour really appear in advertising and editorial.

  (1/5)

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  2cm of Flesh

  VOGUE Taiwan 2014

  2017

  Fashion Magazines preoccupied me, their lack of diversity and limited palate of skin tones bothered me, as if half the world doesn’t exist. Like wondering, as I do, why there aren’t more children’s stories with same sex couples. Does the printed world more often than not define it’s readers as white and heterosexual? I took some time cutting out flesh and categorising it. Not until 2015 with Vogue UK did women of colour really appear in advertising and editorial.

  (2/5)

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  2cm of Flesh

  VOGUE France 2016

  2017

  Fashion Magazines preoccupied me, their lack of diversity and limited palate of skin tones bothered me, as if half the world doesn’t exist. Like wondering, as I do, why there aren’t more children’s stories with same sex couples. Does the printed world more often than not define it’s readers as white and heterosexual? I took some time cutting out flesh and categorising it. Not until 2015 with Vogue UK did women of colour really appear in advertising and editorial.

  (3/5)

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  2cm of Flesh

  VOGUE Japan 2015

  2017

  Fashion Magazines preoccupied me, their lack of diversity and limited palate of skin tones bothered me, as if half the world doesn’t exist. Like wondering, as I do, why there aren’t more children’s stories with same sex couples. Does the printed world more often than not define it’s readers as white and heterosexual? I took some time cutting out flesh and categorising it. Not until 2015 with Vogue UK did women of colour really appear in advertising and editorial.

  (4/5)

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  2cm of Flesh

  VOGUE UK 2015

  2017

  Fashion Magazines preoccupied me, their lack of diversity and limited palate of skin tones bothered me, as if half the world doesn’t exist. Like wondering, as I do, why there aren’t more children’s stories with same sex couples. Does the printed world more often than not define it’s readers as white and heterosexual? I took some time cutting out flesh and categorising it. Not until 2015 with Vogue UK did women of colour really appear in advertising and editorial.

  (5/5)